![]() ![]() On November 9, 1960, she was cast as the lead guest star in "The Cathy Eckhart Story" on Wagon Train, with husband-and-wife actors John Larch and Vivi Janiss as Ben and Sarah Harness. On April 6, 1960, the 28-year-old Oliver played a spoiled young runaway, Maggie Hamilton, who gets soundly spanked by scout Flint McCullough ( Robert Horton), in "The Maggie Hamilton Story" on NBC's Wagon Train. Oliver as Vina transformed into an Orion slave girl in the Star Trek episodes "The Cage" and "The Menagerie" Its seven-performance run was even shorter than that of Small War on Murray Hill, but won Oliver a Theatre World Award for "Outstanding Breakout Performance" it was her last Broadway appearance. In mid-1958, Oliver began rehearsals for a co-starring role in Patate, her second Broadway play. ![]() in December on the bottom half of a double bill. In July 1957, Oliver was chosen for the title role in her first motion picture, The Green-Eyed Blonde, a low-budget independent melodrama scripted by Dalton Trumbo (under a pseudonym), and released by Warner Bros. Oliver then went to Hollywood, where she appeared in the November 14, 1957, episode of Climax!, one of the few live drama series based on the West Coast, as well as in a number of filmed shows, including one of the first episodes of NBC's Wagon Train, Father Knows Best, The Americans, and Johnny Staccato. The play's short run was immediately followed by larger roles in live television plays on Kaiser Aluminum Hour, The United States Steel Hour, and Matinee Theater. That same year, Oliver replaced Mary Ure as the female lead in the Broadway production of John Osborne's play Look Back in Anger. She began the year with an ingénue part, as the daughter of an 18th-century Manhattan family, in her first Broadway play, Small War on Murray Hill, a Robert E. Oliver did numerous television shows in 1957, and appeared on stage. After working in summer stock and regional theater, and in unbilled bits in daytime and primetime television shows and commercials, she made her first major television appearance in a supporting role in the July 31, 1955, episode of the live drama series Goodyear TV Playhouse, and quickly progressed to leading parts in other shows. Oliver made a decision to embark upon a career as an actress and chose the stage name Susan Oliver, using her mother's maiden name.īy September 1949 and using her new name, Oliver returned to the East Coast to begin drama studies at Swarthmore College, followed by professional training at the Neighborhood Playhouse School of the Theatre in New York City. In June 1949, Oliver joined her mother in Southern California, where Ruth was in the process of becoming a well-known Hollywood astrologer. Her parents divorced when she was still a child. Her father was a political reporter and journalist for the New York World. Oliver was the daughter of George Gercke, a journalist, and Ruth Hale Oliver, an astrology practitioner, in New York City in 1932. ![]() ( September 2022) ( Learn how and when to remove this template message) ![]() Unsourced material may be challenged and removed. Please help improve this section by adding citations to reliable sources. This is an episode of Season 4 where Opie Taylor is absent.This section does not cite any sources.This episode is available on DVD without the laugh track but is usually broadcast with it.This is one of only two episodes where a female is shown smoking, the other being Convicts-at-Large.This episode is very sensual and unique and was possibly the most unusual episode in the entire series.In Andy and the Woman Speeder Sheriff Taylor says that, by law, a female prisoner must have a matron.Perhaps it was decided that the lack of a name added to the sense of mystery. The unnamed prisoner was given the name Angela Carroll in an un-produced script.The title is from the 1931 song "Prisoner Of Love" with music by Russ Columbo and Clarence Gaskill and lyrics by Leo Robin popularized by Perry Como.He returns to the courthouse to check on things and arrives just in time to prevent her escape. He realizes that perhaps Barney is under the same seduction as he himself was. He can't get the image of her out of his mind. A female prisoner tries to work her magic on Andy and Barney.Īndy is taken in by the charms of a seductive The Female Prisoner. ![]()
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